"Objects and installations of Camille Yvert are the perfect illustration of our present: they are concealing their origins in human activity, and they look more like programmed surpluses of a futuristic design studio. The slogans we find on them ironically comment on the process of automation and alienation. The perfection, looking for its own function, thus examines the new possibilities of the contemporary sculpture, which in the era of 3D simulation begins to understand finality and perfection in a completely new way."
Pavel Vancat, Start Point Prize curator
Perforated metal, foam, acrylic, Draper® Expert protective glasses, polystyrene
View from the Royal College of Art Degree Show